Architecture & Agency
Anchor. Unsee. Compose
The three afternoon workshops focussed on the questions that
the students have been facing throughout the year within the unit, bearing in
mind the themes and main concepts that have brought the student’s ideas
together to what they are currently. Students were required to consider
context, their social outlines, experiments, research and clients that they are
designing for.
Furthermore, students were to think about the systems that
are integrated on their site and the flexibility of their interventions – which
ones should be fixed and which elements should be moved. Students were to
imagine themselves as the users and how they would like to feel within their
intervention and with the presence of other users within the intervention. They
were to also imagine being blind and only having to experience spaces through
feeling as space is a form of energies experienced which should be considered
in the three workshops.
Workshop 1: Anchor
Students were given ten minutes each per drawing to
articulate movement & route and volume & scale through their chosen
site. These could be communicated in plan or section but had to be drawn with
their eyes open but looking forward towards their vision, away from the paper.
The medium chosen couldn’t be lifted off the page unless they changed their
medium to a different colour or type.
Movement & Route
Medium: Watercolour paint, black inc and graphic pens. |
The image above illustrates who the main and secondary users
are, and where they are going to and what they will be doing there. What does
the movement and route connect to and how does it connect to it. The image was
drawn in plan, identifying the two nodes that the main and secondary users are
going to visit on the site. The main route shown in black emanating from the
black circle indicates the primary route that guides users through the side in
a fluid manner whereas the blue lines indicate the secondary unmarked routes
that the users can take. The drawing also portrays how the different users
could either visit one element or meander through the site to visit more than
one component within the intervention.
Volume & Scale
Medium: Watercolour paints and black ink. |
The drawing above indicates how I wanted the users to feel
within the intervention and when I wanted them to feel the air on their skin,
to feel covered in sunlight, to feel enclosed or free, to feel part of a route
or the arrival to a space. What elements are the users engaging with and how is
the scale of the enclosure being influenced with their engagement. The drawing
was communicated both in plan and section where the curved lines represent the users
being exposed to the natural elements whereas the dark patches indicate the
enclosed spaces. The enclosed spaces are the rigid and massed elements that
differ in scale, due to their different interventions, whereas the areas that
are open to the natural elements are more fluid, whose size is significantly smaller
than the enclosed spaces.
Workshop 2: Unsee
Students were given a further ten minutes each per drawing
to illustrate hierarchies and landmarks & marks on the land within their
chosen site. These could be communicated in plan or section but had to be drawn
with their eyes closed but looking down towards the paper. The medium chosen
could be lifted off the page and the medium could be changed at any given
moment to a different colour or type.
Hierarchies
The figure above represents, in section, how a user would
read my intervention from the outside, the two large black spots, and from the
inside, the lighter lines in the background symbolizing the view of the outdoor
interventions open to the natural elements. The programs that lie within the
large black spots are those that need to be confined and controlled but also
have the intention to spill out towards the outside in order to activate and
link outdoor programs with indoor programs. The horizontal planes step within
the natural fall within the landscape to accommodate a transition through the
various levels and variety in programs within the design intervention.
Landmarks & Marks On The Land
The graphic above illustrates portions of the intervention
being hidden and others being celebrated through the scale and placement of the
structures on the land in section. Portions of the intervention reside within
an existing iconic structure with a spill out of vibrant activities on the
higher and lower levels on the site where some activities are more vibrant than
others. The objective of the intervention is to attract outsiders and daily
users within the site through the various outdoor and indoor public activities proposed
on the chosen site.
Students were then given feedback on their illustrations and
had to choose one drawing to use for the next workshop. It was discussed that there
was a continuous notion of two important elements within my site that ran throughout
all my illustrations which made a powerful statement. My main concept of
assemble and disassemble was also detected within each drawing made which was
unintentional.
Workshop 3: Compose
Students were required to build a model in forty five
minutes over a photocopied site image, panoramic view or the chosen drawing
done the previous afternoon. This model needed to indicate the vision or
narrative in the design intervention proposed on the chosen site.
I chose to
use the chosen graphic made the afternoon before, landmarks & marks on the
land, in order to build up my model. While I was constructing it, I was bearing
in mind my main concept of assemble and disassemble as well as how the users
would move through the spaces within the site.
I wanted to articulate the
various outdoor and indoor experiences that one would pass through. I was
trying to design playful outdoor elements for sportsmen to utilize that either
formed part of the building or were set away from the structures. I wanted to
also communicate the fluidity of the movement through the site where users
would experience various interesting views and programs at different points on
the site.
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